Tuesday, December 9, 2014

Mehndi

Mehndi or Henna is a paste that is bought in a cone shaped tube and is made into designs for men and women. It is also derived from the Sanskrit word mendhikā.

 The use of mehndi and turmeric is described in the earliest Hindu Vedic ritual books. It was originally used for only women's palms and sometimes for men, but as time progressed, it is more natural for men to wear it. Haldi (staining oneself with turmeric paste) as well as mehndi are Vedic customs, intended to be a symbolic representation of the outer and the inner sun. Vedic customs are centered on the idea of "awakening the inner light." Traditional Indian designs are of representations of the sun on the palm, which, in this context, is intended to represent the hands and feet.





There are many variations and types in Mehndi Designs which are categorized such as Arabic Mehndi Designs,[2] Indian Mehndi Designs,[3] Pakistani Mehndi Designs. Women usually apply this all variations of Henna or Mehndi Designs patterns on their Hands and Foot.



Mehndi is the local variant of henna designs in the Indian sub-continent. Indian, Bangladeshi, Pakistani and Sri Lankan women use mehndi for festive occasions, such as weddings, religious events and traditional ceremonies.

For over five thousand years, henna has served as a symbol of good luck, health and sensuality in the Arab world[citation needed]. The plant has been associated with positive vibes and provides a link to an ancient age full of good and bad spirits, Baraka and Jnoun. Generations of women have used a paste made primarily of dried ground henna leaves to cover their hands and feet with designs ranging from simple blobs to intricate geometric patterns designed to ward off evil, promote fertility and attract good energy.

While there is some controversy over the origins of the use of henna as a dying agent, the earliest clear evidence of henna application on the body appears in Egyptian mummies whose hair and nails were stained with the reddish brown tones of henna. Botanists believe the henna plant, Lawsonia inermis, originated in Egypt and was carried regularly to India where it was used since at least 700 AD for decorating hands and feet. Historically henna has also been used for medicinal purposes, to dye cloth and leather as well as hair, to color the manes of horses and other fur of other animals.

Fansy Mehndi Designs for Foot 2013Fansy Mehndi Designs for Foot 2013 Beautiful Bridal Feet Mehndi DesignsNew Bridal Mehndi Designs For Feet-03
Practiced mainly in India and the Arab world, mehndi or henna is the application of as a temporary form of skin decoration, popularized in the West by Indian cinema and entertainment industry, the people in Nepal, Pakistan, Bangladesh and the Maldives also use mehndi. Mehndi decorations became fashionable in the West in the late 1990s, where they are called henna tattoos.




Mehndi in Indian tradition is typically applied during special Hindu weddings and Hindu festivals like Karva Chauth, Vat Purnima, Diwali, Bhai Dooj and Teej. In Hindu festivals, many women have Henna applied to their hands and feet and sometimes on the back of their shoulders too, as men have it applied on their arms, legs, back, and chest. For women, it is usually drawn on the palm, back of the hand and on feet, where the design will be clearest due to contrast with the lighter skin on these surfaces, which naturally contain less of the pigment melanin. Henna was originally used as a form of decoration mainly for Hindu brides. Muslims of Indian subcontinent also apply Mendi during their festivals like Eid-ul-Fitr and Eid-ul-Adha.


40 Best Eid Mehndi Designs Henna Patterns For Full Hands Feet 2012 15 40 Best Eid Mehndi Designs & Henna Patterns For Full Hands & Feet 2012
In the modern age and even due to limited supply of Indian Traditional Mehndi artists, usually people buy ready-made Henna cones, which are ready to use and make painting easy. However, in rural areas in India, women grind fresh henna leaves on grinding stones with added OIL, which though not as refined as professionally prepared henna cones, achieves much darker colors.

The term henna tattoo is figurative, because true tattoos are permanent surgical insertions of pigments into the skin, as opposed to pigments resting on the surface as is the case with mehndi.

Likely due to the desire for a "tattoo-black" appearance, many people have started adding the synthetic dye p-Phenylenediamine (PPD) to henna to give it a black colour. PPD may cause severe allergic reactions and was voted Allergen of the Year in 2006 by the American Contact Dermatitis Society. Alata (Mahur) is a flower-based dye used similarly to henna to paint the feet of the brides in some regions of India. It is still used in Bengal.


Tradition

Mehndi is a ceremonial art form which originated in ancient Subcontinent of India which is now Pakistan and India. Intricate patterns of mehndi are typically applied to brides before wedding ceremonies. The groom is also painted in some parts of India. In Rajasthan, the grooms are given designs that are often as elaborate as those for brides. In Assam, apart from marriage, it is broadly used by unmarried women during Rongali bihu, but there are no restrictions on its use by married women.

Muslims in Pakistan also started to use it as an indication of coming of age. Henna is now also used in some Gulf States, where the night before the wedding night is dedicated to decorating the bride with henna, and called "Henna night". Also, as an alternative to a 'hen party' in the Western countries, some families have "Mehndi nights", or "henna nights", similar to the ones in the Gulf States. The bride and also close friends of the bride have their hands, arms and even feet decorated with henna. In the Middle East and Africa, it is common for women to apply henna to their fingernails and toenails and to their hands.


Process

Henna paste is usually applied on the skin using a plastic cone or a paint brush, but sometimes a small metal-tipped jacquard[disambiguation needed] bottle used for silk painting (a jac bottle) is employed. After about 15–20 minutes, the mud will dry and begin to crack, and during this time, a mixture of lemon juice and white sugar can be applied over the henna design to remoisten the henna mud so that the henna will stain darker. The painted area is then wrapped with tissue, plastic, or medical tape to lock in body heat, creating a more intense colour on the skin. The wrap (not a traditional method), is worn for 2 to 6 hours, or sometimes overnight and then removed. When first removed, the henna design is pale to dark orange in colour and gradually darkens through oxidation, over the course of 24 to 72 hours. The final color is reddish brown and can last anywhere from one to three weeks depending on the quality and type of henna paste applied, as well as where it was applied on the body (thicker skin stains darker and longer than thin skin). Moisturizing with natural OILS, such as olive, sesame seed, or coconut, will also help extend the lifetime of the stain. Skin exfoliation causes the henna tattoo to fade.

The Mehndi celebration

Traditional Pakistani and Hindu Weddings in India can often be long, ritualistic, and elaborate affairs with many pre-wedding, wedding and post wedding ceremonies. Different countries and regions of a country celebrate the ceremonies in different ways according to their own marriage customs, rituals, and culture.

According to Hindu tradition, the ceremony is mainly held at the bride's house or at a banquet hall on the eve of the marriage ceremony or few days before the marriage. Generally the bride and groom attend the event together and on the occasion a professional mehndi artist or a relative applies mehndi to the bride's hands and feet. The designs are very intricate. Often hidden within the mehndi pattern the name or initials of the groom are applied. The event generally has a celebratory festival feel to it with the women dancing and singing traditional songs and the girls wearing vivid colors such as hot pink and yellow, often if the bride to be wishes to tease her future groom she will make him wear purple. The groom usually wears jutti instead of western footwear.
In Pakistan, the Mehndi is often one of the most important and fun filled pre-wedding ceremonies, which is celebrated mainly by the bride's family. In Bangladesh, the Mehndi ceremony has traditionally been separated into two events; one organized by the bride's family and one, by the groom's family. Mehndi ceremonies take place outside India, Pakistan and Bangladesh amongst the South Asian community and places like Birmingham in the UK are such known hotspots for lavish Mehndi celebrations. Henna was first used by Egyptians' using mud to create patters and this is where it originated from.
Latest Arabic Mehndi Designs Collection 2014 For Girls by Unique 6 Latest Arabic Mehndi Designs Collection 2014 For Girls  by Unique

SCAM - 'Facebook Work From Home Program'

SCAM - 'Facebook Work From Home Program'

Outline
Message claims that Facebook has launched a new 'Work From Home' program that will allow users TO MAKE MONEY from the comfort of their own homes.

Brief Analysis
The message is a scam. Facebook has not launched such a program and has no connection to the scheme. The link in the message takes you to a fake Facebook Page that tries to trick you into paying four dollars for a dodgy 'Facebook Millionaire' kit. Fine print on the signup form indicates that your credit card will be charged $94 per month for continued access. Do not be tempted to participate in this bogus program. 

Example

Have You Ever Considered WORKING ONLINE?

Melbourne, Australia - 5 hours ago
If you spend much time online and have been wanting TO WORK FROM HOME, you might be in luck. Facebook has now released a "WORK FROM HOME Program" that will allow people to work from the comfort of their own homes.

To tens of thousands of people, this means that they will soon have a chance to make thousands of dollars every month, from the comforts of their own home, GETTING PAID by checks, direct deposit and even Paypal.





Detailed Analysis

Message Claims Facebook Has Launched Work From Home Program
According to this message, Facebook has released a new work from home program.

A link in the message takes you to a 'breaking news' report that provides details about the supposed program and invites you to click a further link to sign up for a 'Facebook Millionaire Kit' at an initial cost of $4.

The report bills itself as official 'Facebook News' and implies via a headline that Facebook is currently hiring people for the program. It claims that people can potentially make thousands of dollars per month but warns that only a limited number of 'positions' are available.

Message is a Scam - Not Associated With Facebook

However, the message is a scam. Facebook has not launched any program like the one described. And, the supposed news report is not associated with Facebook in any way.

The fake page is just an attempt to trick users into signing up for the decidedly dodgy 'Facebook Millionaire Kit'.

The link to the 'kit' opens a second page that asks you to provide your name and email address to 'check availability'. A second page will then appear that congratulates you on being eligible and invites you to provide credit card details to get the kit for just $4.

For some users, the relatively small payment of $4 might seem worth spending to check out the 'program'. However, they might not notice the fine-print on the sign-up form which states that, after an initial 7 day trial period, users will be automatically charged $94 per month.

Other fine print on the page informs users that 'results may vary' and that earning samples promoted on the site are 'purely illustrative of what may be achieved'.

Company Should Not be Trusted

The company offering the supposed 'Facebook Millionaire Kit' tells outright lies in its promotional material by pretending that Facebook provides and endorses their program.

Any company willing to use such underhand and deliberately misleading tactics certainly should not be trusted with your credit card details, or even your email address. Such tactics are contemptible.

If this message comes your way, do not click any links it contains. And, do not be tempted to sign up for their suspect offerings.

Wednesday, September 21, 2011

GAUTHAM MENON A STUNNING DIRECTOR

Gautham Vasudev Menon

Gautham speaking at a college in Trichy
BornFebruary 25, 1973 (1973-02-25) (age 38)
Ottapalam, Kerala, India
NationalityIndian
OccupationFilm director
Film writer
Film producer
Years active2001–present
SpousePreethi
Gautham Vasudev Menon (Malayalam: ഗൗതം വാസുദേവ് മേനോന്‍; Tamil: கௌதம் வாசுதேவ் மேனன்) is an Indian film director and producer. Mainly working in Tamil cinema, he has also directed Hindi and Telugu films which are remakes of his Tamil films. Many of his films have been critically acclaimed, most notably his semi-autobiographical Vaaranam Aayiram (2008), romantic classic Vinnaithaandi Varuvaayaa (2010), his action-thrillers Kaakha Kaakha (2003) and Vettaiyaadu Vilaiyaadu (2006). Vaaranam Aayiram won the National Film Award for Best Feature Film in Tamil.

Contents

[hide]

Early life and education

Gautham was born to a Malayali father and Tamil mother on 25 February 1973 in Kerala. Although, born in Kerala he grew up in Trichy.[1][2] He did his schooling in Vailankanni Raj Mat. Hr., Sec School at K.K Nagar, Trichy and did his Mechanical Engineering in Mookambigai College of Engineering, Trichy, Tamil Nadu .[3][4]

Directorial career

Early work and Minnale, 2001

Gautham Menon was a student of mechanical engineering at Mookambigai College of Engineering in the batch of 1993, and his time there inspired him to make his lead characters of Minnale and Vaaranam Aayiram, students of the same course.[5] He claims to have been inspired by films such as Dead Poet's Society and Nayagan and expressed his desire to his parents to change career path and become a filmmaker and consequently wrote his first film at his college hostel. His mother insisted he became an ad film maker by shooting various commercials and took an apprenticeship under filmmaker Rajiv Menon. He went on to work as an assistant director for Minsaara Kanavu in 1997, in which he also appeared in a cameo role.[6]
Gautham Menon launched a Tamil romantic film O Lala in 2000 with the project eventually changing producers and title into Minnale with Madhavan, who was at the beginning of his career, being signed on to portray the lead role.[7] About the making of the film, Gautham revealed that he found it difficult as the team was new to the industry with only the editor of the film, Suresh Urs, being a prominent technician in the industry.[8] Gautham had come under further pressure when Madhavan had insisted that Gautham narrated the story to his mentor, Mani Ratnam, to identify if the film was a positive career move after the success of his Alaipayuthey. Despite initial reservations, Gautham did so and Ratnam was unimpressed; however Gautham has cited that he thought that Madhavan "felt sorry" and later agreed to continue with the project.[8] The film also featured Abbas and newcomer Reemma Sen in significant roles, whilst Gautham introduced Harris Jayaraj as music composer with the film.[7] The film was advertised as a Valentine's Day release in 2001 and told the tale of a young man who falls in love with the girl engaged to his ex-college rival and how he manages to get married to her. Upon release it went on to become a large success commercially and won positive reviews from critics with claims that the film had a lot of " lot of verve and vigour" and that it was "technically excellent".[9]
The success of the film led to producer Vashu Bhagnani signing him on to direct the Hindi language remake of the film, Rehna Hai Tere Dil Mein, which also featured Madhavan with Diya Mirza and Saif Ali Khan added to the film. Gautham was initially apprehensive but said it took "half an hour" to agree and against his intentions, the producer opted against retaining the technical crew of the original.[6] He changed a few elements, deleted certain scenes and added some more for the version. However in comparison, the film gained poor reviews with a critic citing that "the presentation is not absorbing" though stating that he " handled certain sequences with aplomb"; the film subsequently went on to become a below average grosser at the box office.[10] The failure of the film left him disappointed, with Gautham claiming in hindsight that the film lacked the simplicity of the original with the producer's intervention affecting proceedings.[11] In 2011, the producer of the film approached him to remake the film with the producer's son Jackky Bhagnani in the lead role, but Gautham was uninterested with the offer.[12]

Police duology, 2003-2006


Gautham Menon and Suriya on the sets of Kaakha Kaakha in Sri Lanka
Gautham returned in 2003 by directing the realistic police thriller Kaakha Kaakha featuring Suriya, Jyothika and Jeevan in the lead roles. The film portrayed the personal life of a police officer and how his life is affected by gangsters, showing a different perspective of police in comparison to other Tamil films of the time.[11] Gautham revealed that he was inspired to make the film after reading of articles on how encounter specialists shoot gangsters and how their families get threatening calls in return, and initially approached Madhavan, Ajith Kumar and then Vikram for the role without success, with all three actors citing that they did not want to play a police officer. The lead actress Jyothika asked Gautham to consider Suriya for the role, and he was subsequently selected after Gautham saw his portrayal in Nandha.[13] He did a rehearsal of the script with the actors, a costume trial with Jyothika and then enrolled Suriya in a commando training school before beginning production, which he described as a "very planned shoot".[13] The film consequently opened to very positive reviews from critics on the way to becoming another success for Gauham, with critics labeling it as a "career high film".[14] Furthermore, the film was described as for "action lovers who believe in logical storylines and deft treatment" with Menon being praised for his linear narrative screenplay.[15]
Gautham Menon subsequently remade the film in the Telugu language for producer Venkata Raju and went on to claim that the new version was better than the previous version and that his new lead actor Venkatesh was more convincing that Surya in the role.[16] The film also featured actress Asin and Saleem Baig in prominent roles and went on to earn commercial and critical acclaim with reviewers citing that "film redeems itself due to the technical excellence and masterful craft of Gautham", drawing comparisons of Gautham with noted film makers Mani Ratnam and Ram Gopal Varma.[17] In July 2004, Gautham also agreed terms to direct and produce another version of Kaakha Kaakha in Hindi with Sunny Deol in the lead role and revealed that the script was written five years ago with Deol in mind, but the film eventually failed to take off.[18] Producer Vipul Shah approached him to direct the Hindi version of the film in 2010 as Force with John Abraham and Genelia D'Souza, and Gautham initially agreed before pulling out again.[19] Gautham and the original producer, Dhanu, also floated an idea of an English version with a Chechnyan backdrop, though talks with a potential collaboration with Ashok Amritraj collapsed.[13]
Gautham Menon was then signed on to direct a venture starring Kamal Haasan and produced by Kaja Mohideen, and initially suggested a one-line story which went on to become Pachaikili Muthucharam for the collaboration.[13] Kamal Haasan wanted a different story and thus the investigative thriller film, Vettaiyadu Villaiyadu, was written with Jyothika, Kamalinee Mukerji, Prakash Raj, Daniel Balaji and Saleem Baig added to the cast. The film told another episode from a police officer's life, with an Indian cop moved to America to investigate the case of psychotic serial killers before returning to pursue the chase in India. During the shooting, the unit ran into problems after the producer had attempted suicide and as a result, Kamal Haasan wanted to quit the project.[13] Gautham subsequently convinced him to stay on as they had taken advance payments. He has since revealed that unlike Kamal Haasan's other films, he did not take particular control of the script or production of the film. The film however had gone through change from the original script with less emphasis on the antagonists than Gautham had hoped and he also revealed that scenes for songs were forced him and shot without him.[13] The film released in August 2006 and went on to become his third successive hit film in Tamil and once again, he won rave reviews for his direction.[20][21] Gautham later expressed interest in remaking the film in Hindi with Amitabh Bachchan in the lead role without the love angle, though the project fell through after discussions. He has stated his intent on making a trilogy of police episode films, with a possible third featuring Vikram in the lead role.[13]

Experimentation and success, 2007-2011

His next project, Pachaikili Muthucharam, based on the novel Derailed by James Siegel, featured Sarath Kumar and Jyothika in the lead roles and was released in February 2007. Initially the lead role was offered to Kamal Haasan who passed the opportunity, while actors Cheran and Madhavan declined citing date and image problems respectively.[22] Menon met Sarath Kumar at an event where he cited he was looking to change his 'action' image and Menon subsequently cast him in the lead role.[22] During production, the film ran into further casting trouble with Simran dropping out her assigned role and was replaced by Shobana after another actress, Tabu, also rejected the role.[23] Shobana was also duly replaced by a newcomer, Andrea Jeremiah to portray the character of Kalyani in the film. The film was under production for over a year and coincided with the making of his previous film which was largely delayed. The film initially opened to positive reviews with a critic citing that Menon is "growing with each passing film. His style is distinctive, his vision clear, his team rallies around him and he manages to pull it off each time he attempts".[24][25] However the film became a financial failure for the producer, Venu Ravichandran and in regard to the failure of the film, Menon went on to claim that Sarath Kumar was "wrong for the film" and that he tweaked the story to fit his image; he also claimed that his father's ailing health and consequent death a week before the release had left him mentally affected.[22]
His next release, Vaaranam Aayiram, saw him re-collaborate with Suriya, who played dual roles in the film. The film illustrates the theme of how a father often came across in his son's life as a hero and inspiration, and Menon dedicated the film to his late father who had died in 2007.[26] The pre-production of the film, then titled Chennaiyil Oru Mazhaikaalam began in 2003, with Menon planning his a romantic film with Suriya as a follow up to their successful previous collaboration, Kaakha Kaakha.[27] Abhirami was signed and then dropped due to her height before a relatively new actress at the time Asin was selected to make her debut in Tamil films with the project. The first schedule of the film began in January 2004 in Visakhapatanam and consequently romantic scenes with Suriya and Asin were shot for ten days and then a photo shoot with the pair.[27] The film was subsequently stalled and was eventually relaunched with a new cast including Divya Spandana, Simran and Sameera Reddy in 2006 with Oscar Ravichandran stepping in as producer, who opted for a change of title. Menon has described the film as "autobiographical and a very personal story and if people didn’t know, that 70% of this [the film] is from my life".[22] The film's production process became noted for the strain and the hard work that Suriya had gone through to portray the different roles with production taking close to two years.[26] The film released to a positive response, with critics heaping praise on Suriya's performance while claiming that the film was "just a feather in Gautam's hat" and that it was "hardly a classic".[28] The film was made at a budget of 15 crore rupees and became a commercial success, bringing in almost 22 crore rupees worldwide.[26] It went on to become Menon's most appreciated work till date winning five Filmfare Awards, nine Vijay Awards and the National Film Award for Best Feature Film in Tamil for 2008 amongst other accolades.
In 2010, Menon made a return to romantic genre after nine years with the Tamil romantic film Vinnaithaandi Varuvaayaa, starring Silambarasan and Trisha Krishnan.[29] The film explored the complicated relationship between a Hindu Tamil assistant director, Karthik, and a Syrian Christian Malayali girl, Jessie and their resultant emotional conflicts. The film featured music by A. R. Rahman in his first collaboration with Menon whilst cinematographer Manoj Paramahamsa was also selected to be a part of the technical crew. Menon cited that he was "a week away from starting the film with a newcomer" before his producer insisted they looked at Silambarasan, with Menon revealing that he was unimpressed with the actor's previous work.[8] The film was in production for close to a year and throughout the opening week of filming, promotional posters from classic Indian romantic films were released featuring the lead pair.[30] Prior to release, the film became the first Tamil project to have a music soundtrack premiere outside of India, with a successful launch at the BAFTA in London.[31] Upon release, the film achieved positive reviews, with several critics giving the film "classic" status, whilst also become a commercially successful venture.[32][33] Reviewers praised Menon citing that "credit for their perfect portrayal, of course, goes to Gautam Menon. This is one director who's got the pulse of today's urban youth perfectly" and that "crafted a movie that will stay in our hearts for a long, long time."[33] The film was simultaneously released with a Telugu version, titled Ye Maaya Chesave featuring a fresh cast of Naga Chaitanya and debutante Samantha in the lead roles. Like the Tamil version, the film won critical acclaim and being given "classic" status from critics.[33][33][34] Both films also went on to become large commercial successes, and the films have received awards from award committees.
Menon had also made progress over the previous two years directing the psychological thriller Nadunisi Naaygal featuring his assistant and debutant Veera Bahu and Sameera Reddy in the lead roles. Menon claimed that the film was inspired by a true event from the USA, while also claiming that a novel also helped form the story of the film.[8] During the making, he explicitly revealed that the film was for "the multiplex audience" and would face a limited release, citing that "it will not cater to all sections of the audience".[8] He promoted the film by presenting a chat show dubbed as Koffee with Gautham where he intereviewed Bharathiraja and Silambarasan, both of whom had previously worked in such psychological thriller films with Sigappu Rojakkal and Manmadhan. The film, which was his first home production under Photon Kathaas and did not have a background score, told the story of a victim of child abuse and the havoc he causes to women, narrating the events of a particular day. The film opened to mixed reviews with one critic citing it as "above average" but warning that "don’t go expecting a typical Gautham romantic film" and that it "is definitely not for the family audiences", while criticizing that "there are too many loopholes in the story, raising doubts about logic".[35] In contrast another critic dubbed it as an "unimpressive show by star director Menon, as it is neither convincing nor appealing, despite having some engrossing moments".[36]

Filmography

As a director

YearTitleCastLanguageNotes
2001MinnaleMadhavan, Abbas, Reema SenTamil
Rehna Hai Tere Dil MeinMadhavan, Saif Ali Khan, Diya MirzaHindiRemake of Minnale
2003Kaakha KaakhaSurya, JyothikaTamilNominated, Filmfare Best Film Award (Tamil)
2004GharshanaVenkatesh, AsinTeluguRemake of Kaakha Kaakha
2006Vettaiyadu VillaiyaduKamal Haasan, Jyothika, Kamalinee MukherjeeTamil
2007Pachaikili MuthucharamSarathkumar, Jyothika, Andrea JeremiahTamil
2008Vaaranam AayiramSurya, Simran Bagga, Sameera Reddy, Divya SpandanaTamilWinner, National Film Award for Best Feature Film in Tamil
Winner, Vijay Award for Favourite Director
Nominated, Filmfare Best Tamil Director Award
2010Vinnaithaandi VaruvaayaaSilambarasan Rajendar, Trisha KrishnanTamil
Ye Maaya ChesaveNaga Chaitanya, Samantha Ruth PrabhuTeluguSimultaneous make of Vinnaithaandi Varuvaayaa
2011Nadunisi NaaygalVeera Bahu, Sameera ReddyTamil
Prem KathaPrateik Babbar, Amy JacksonHindiRemake of Vinnaithaandi Varuvaaya. Post production
Neethaane En PonvasanthamJeeva, SamanthaTamilFilming
NithyaTeluguFilming






Filming


GAUTHAM MENON IN SHOOTING SPOT




















Tuesday, September 20, 2011

Sikkim Earthquake: Rs 400 crore to restore roads and bridges alone


IPR
Gangtok: The continuous rainfall over past few days coupled with the devastating September 18 earthquake measuring 6.9 has wreaked havoc throughout Sikkim. The catastrophe not only claimed human lives including those of cattle, critical for a Sikkimese livelihood but damaged almost all the roads and bridges in the Himalayan state. Due to the damage to National Highways and State Highways connectivity to many parts of the state remains snapped. This has caused great difficulty to the affected persons since the medical aid and other civic amenities are not being transported in time resulting in loss of precious human lives.
After inspection and survey of the damages, the Roads and Bridges Department of the Sikkim Government has assessed that the total tentative cost of restoration of roads and bridges in the state would be Rs 39680.00 lakhs.
The Roads and Bridges Department has said that after shocks and tremors accompanied with incessant rainfall is further aggravating the situation.
The Department has already mobilized manpower and machinery for the restoration of all roads in order to facilitate and speed up rescue and relief operations. Efforts is being made to make all the affected roads trafficable in a phased out manner with emphasis being given to all State Highways and major districts roads. As of now, only restoration of temporary nature is being taken up on war footing.
Road to worst-affected Mangan reopened; Rescue begins
In the meantime there are some reports that the road connecting worst-affected Mangan (Mangan was the center of the September 18 Sikkim Earthquake) has been reopened and relief teams have started entering the interiors.
Union Home Secretary RK Singh, however, said the road from Mangan to Chungthan was still closed as it has suffered heavy damage.
Two rescue teams of 30 personnel each from Jat Regiment were airlifted to Mangan and Chungthan on Monday for search and rescue and they have started work.
The home secretary said one of the five teams of National Disaster Response Force placed at Gangtok has left for Mangan on Tuesday morning. Arrangements are being made to airlift another NDRF team to Chungthan.
“Food packets have been airdropped in the northern areas of north district this morning,” Singh said.